Imagine an artist at the canvas on the boundary fence of a packed SCG on the opening day of the New Years Test. Imagine Jack Russell, brush in hand, white floppy hat, characteristic moustache, outlining the curves of Aussie Stadium peeking from behind the Noble Stand, the clock on the Members Stand showing a quarter past four.
A man neatly dressed in a suit appears in the middle of the arena. But it’s not the CEO of one of the myriad of sponsors – not unless he is a classically-trained opera singer. Suddenly, the painter’s hat flies away, the moustache curls up, Jack Russell has morphed into Salvador Dali, and the SCG clock melts away. Continue reading “Sydney Day One: Con te partiro”
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